Amy, our Lens-Artists host this week, writes:
This week we will explore negative space in photography. Negative space is the area around the main subject of your photograph. This space is empty or unoccupied. Spencer Cox at Photography Life explains, ”Photos with high amounts of negative space are: empty, subdued, peaceful, calm, and isolated”.
If you’re familiar with this blog, you can imagine that I had all sorts of philosophical associations with the words “negative space”. Here I am in California, giving hospice care to my mother with lung cancer while the West Coast is on fire. Two of my children and their spouses live in Oregon, where I moved at the beginning of August, leaving Wisconsin. If you read the news, you know there is a lot of scary stuff going on in all of these places, a lot of “negative” energy.
However, now I know that “negative space” can just be the background that allows you to focus on a particular subject. Re-framing the shot, allowing the busy-ness surrounding the essential element to blur, highlights its unique and important features.
Empty, subdued, peaceful, calm and isolated.
So, maybe all of the disasters of 2020 are just the “negative space” that will allow us as humans to focus on what it supremely important about life on this planet. And what do you think that is?
For this week’s Lens-Artists’ challenge, Patti schools us on cropping images. This is a challenge of technique, and she suggests that cropping can be used to:
1. Simplify the shot by getting rid of distractions.
2. Improve the shot by focusing on the best part of the composition.
3. Change the meaning of the image by emphasizing certain aspects.
4. Create an abstract.
My first reaction to this challenge was a sort of disappointment. So many of the recent challenge themes have been very emotional: Home…Distance…Going Back. Creating those posts was therapeutic for me. How do I take this technique and use it to allow myself the emotional therapy I need this morning? (And yes, I need emotionally therapeutic activity this morning!!)
So, that’s a challenge.
Here’s a photo I took in November when I was out on a solo walk at a wildlife refuge nearby:What was I feeling that afternoon as I strolled through the refuge, alone with my thoughts?
I remember that I was looking for the familiar solace of a natural view, something focused on the journey forward, with hope in the distance. I also remember that I was feeling quite alone. Then again, in creating this composition, it might make all the difference just to pay attention to the present situation, to the path I am walking right now, and take the next few steps in full awareness of where I am. Perhaps what I really meant to convey in this photograph all along was the complete picture: the backstory, the now, and the not-yet. They all exist simultaneously.
I find this a very interesting exercise…but not the most compelling image.
Maybe this one?
This week’s challenge host, Tina, says,
Leading lines carry our eye through a photograph. They help to tell a story, to place emphasis, and to draw a connection between objects. They create a visual journey from one part of an image to another and can be helpful for creating depth as well.
I’ve never had any formal instruction in photography, but I think I have a pretty good natural eye for composition…sometimes. Let’s see if I’ve intuitively used Leading Lines in any of my pictures.
Okay, wow. That one was obvious. You could argue that Lake Shore Drive and the street lights all lead to the Chicago skyline in that shot.
These two seem like they follow a reverse leading line…a receding line, or a vanishing point.
I think these last three are my favorites, though. They draw my eye to the horizon, which I long to explore.