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Lens-Artists Photo Challenge: Telling a Story

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I have to admit that when I saw this week’s challenge theme, I immediately thought of this series of photos I took about 30 years ago of my mother reading a story book to my niece.

How does one photo allude to a story line, an interaction, a web of relationships or events? I think one element might be action, another context. Perhaps the picture begs a question and sends you in search of an explanation.

Just for the record, I have absolutely no idea what the people crawling on the beach were doing. I captured the image at Natural Bridges State Beach in Santa Cruz, CA. My own hypothesis is that these were students from UC Santa Cruz doing some kind of observation or exercise about marine biology. Could they be searching for evidence of some life form? What story would you tell?

Thanks to Patti for this week’s challenge and for the wonderful stories she illustrates on her blog.

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Lens-Artists Photo Challenge: Spiritual Sites

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“Take off your sandals, for the place where you are standing is holy ground.” – Exodus 3:5, NIV

Sand art – a labyrinth? a mandala? – at Nye Beach, Oregon

Tina leads the challenge this week with an amazing array of Spiritual Sites from around the world. Spirituality is truly universal. I went to a workshop at the Unitarian Universalist Fellowship here, and we tried to come up with a definition of spirituality. What we landed on was “the dynamic of being in the process of being in relationship and being aware of it”…or at least that’s what I wrote in my notes. For me, that just means that I am trying to be aware that I am in relationship to EVERYTHING, and I want continually to try to make these relationships more harmonious and mutually beneficial. At the top of my awareness is my family relationships. That’s where I began my spiritual journey, as an infant. Ancestors and family members are often honored at spiritual sites. There is a church in California where I was married and where my sister, my husband, and my parents are buried. It is a very meaningful place to me.

From an early point in my spiritual journey, I was also aware of the sacredness of Nature. Since 2014, I have been particularly aware of my relationship with Wilderness.

“A wilderness, in contrast with those areas where man and his own works dominate the landscape, is hereby recognized as an area where the earth and its community of life are untrammeled by man, where man himself is a visitor who does not remain.” 
– The Wilderness Act of 1964

(Gallery top left to bottom right: Headwaters Wilderness, WI; Black Canyon of the Gunnison Wilderness, CO; Guadalupe Escarpment Wilderness sign, TX; Sturgeon River Gorge Wilderness, MI; Sage Creek Wilderness, Badlands, SD; Ojito Wilderness, NM; Drift Creek Wilderness, OR.)

The first overnight backpacking trip I did in wilderness was at Strawberry Mountain in eastern Oregon. After two nights camping in the wilderness, we reached the summit. I was immensely happy! The relationship I had formed with my hiking friends, with the alpine lakes and trees, with mountain goats and wildflowers, and with my own mind and body, made me feel the energy of being alive and dynamic in the world in a gloriously spiritual way. I sat down in the lotus position on holy ground…and my friend snapped this photo:

May you reverence your connections to your inner and out worlds and find peace, love, and joy in your spiritual journey.

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Lens-Artists Photo Challenge: Fragments

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Our guest host, Brian of bushboys world, sets out a poetic challenge this morning in wisps of memory, a fragrant breeze, a wistful thought, a glimpse behind a curtain of time.

Fragments begin an exploration of extrapolation…what is mssng? How to fll t n? Perhaps all photography is fragmentary. No image captures it all. I am reminded of an exercise I once did in art class. We were given a small card with a simple configuration of lines. We were to paste it onto a bigger piece of paper and create a larger drawing around it. In other words, we were given a fragment and asked to reconstruct a whole, using as much imagination as we could muster.

I love Brian’s invitation. It’s as if he said, “Once upon a time….your turn.”
And off you go, Lens-Artists! I look forward to seeing what has sparked your imagination.

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Lens-Artists Photo Challenge: What’s Bugging You?

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I’m beginning to think that maybe Donna of Wind Kisses might be a secret sister to me. I love her challenge to us this week! Last week it was bilingual 3rd graders, this week it was Kindergarteners (70 in all) who sang this song with me:

“Head, thorax, abdomen, abdomen
Head, thorax abdomen, abdomen
Two antennae, four wings and six legs
And don’t forget the exoskeleton!”
OR
“Cabeza, tórax, abdomen, abdomen
Cabeza, tórax, abdomen, abdomen
Dos antenas, cuatro alas y seis patas
Y tambien el exoesqueleto!”

So, which of you Lens-Artists have a dung beetle in your photo archives? This specimen was living on the prairies of South Dakota. Could be elk or buffalo dung it was rolling around into a perfect sphere. I wish I had video to show you how he rolled it with his back legs until the slope’s gravity pulled him up over the top, facing skyward. Fascinating!

Another beetle. Ladybugs feature in nursery rhymes and seem pretty harmless, but my middle daughter discovered at Girl Scout camp that they bite, and so grew to be somewhat afraid of them, especially when some meaner girls threatened to fill her sleeping bag with them.

Okay, I’ll post some of the more glamorous bugs that everyone loves.

…and I’ll post some things that aren’t bugs just to see if you’ll jump.

I think it’s always good to meet the neighbors who sit on other branches of the Tree of Life, get acquainted, and learn to appreciate them. Most of them were here long before we were! I think they make great teachers.

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Lens-Artists Photo Challenge: Skyscapes and Cloudscapes

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In her book, For the Time Being, Annie Dillard writes keen observations about anthropology, religion, culture, death…and clouds.

She quotes written observations of clouds from centuries ago. It seems that always, humans have looked up from their lives in wonder, trying to make sense of the shifting vapor, what it might mean for the present, for the future, how it all got there in the first place, and how it can be ever-new and unpredictable.

The unique atmosphere surrounding beloved Earth supports everything we know as Life. How much do we really know about it?

“I really don’t know Clouds at all.” — Joni Mitchell

“I see the world being slowly transformed into a wilderness; I hear the approaching thunder that, one day, will destroy us too. I feel the suffering of millions. And yet, when I look up at the sky, I somehow feel that everything will change for the better, that this cruelty too shall end, that peace and tranquility will return once more.” — Anne Frank

“Fear keeps us focused on the past or worried about the future. If we can acknowledge our fear, we can realize that right now we are okay. Right now, today, we are still alive, and our bodies are working marvelously. Our eyes can still see the beautiful sky. Our ears can still hear the voices of our loved ones.”
— Thich Nhat Hahn

“The sky is the daily bread of the eyes.” — Ralph Waldo Emerson

“One can enjoy a rainbow without necessarily forgetting the forces that made it.” — Mark Twain

Thank you, Amy, for challenging us to find Skyscapes and Cloudscapes and offering such beautifully dramatic examples.

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Lens-Artists Photo Challenge: Mood

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“There are a thousand ‘greatest’ melodies, just as there are a thousand ‘greatest’ poems and a thousand ‘greatest’ pictures, because there are a thousand moods in the mind of (a Person) when a certain note rings with the most clarity–when a certain design is most sharply silhouetted against the changing curtain of (their) mind.” ― Beverley Nichols, A Thatched Roof

Our host this week, Sofia, writes, “I challenge you and myself to think of mood, how to convey and create an emotional reaction to your shot. That can be accomplished by capturing situations or occasions, photography styles or people and their feelings.” Visit HER POST to see a variety of techniques for expressing mood in photography.

The following two photos were taken on the same day, while I was walking with a group of friends. I am always fascinated by the changing moods of the ocean…and of people.

I’m tempted to say that my driveway has moods…but it’s not the driveway at all. It’s the Place, the environment. My driveway just provides a fixed point of comparison.

It’s really amazing to consider how my own mood affects everything I perceive and to know that I can illustrate that in my photos as well.

I am amused to think of “hashtag MOOD” as a shorthand of popular culture. It is a humorous way to acknowledge our common human experience as shifting landscapes of emotion. How wonderful to recognize and resonate with each other as we share our Lens-Artists posts! I look forward to seeing yours!

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Lens-Artists Photo Challenge: Backlit

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“To love beauty is to see light.” – Victor Hugo

“The beginnings and ends of shadow lie between the light and darkness and may be infinitely diminished and infinitely increased. Shadow is the means by which bodies display their form. The forms of bodies could not be understood in detail but for shadow.” – Leonardo da Vinci

This week’s photo challenge comes from Ann-Christine, who writes, “Backlight is a versatile instrument in making pictures really come alive, even if they are only silhouettes or very dark. For landscapes it can be magical.” I find that especially true when water is part of the landscape, adding reflection, glow, and sparkle. I am really happy that the rain in Oregon has let up, and warm sunshine is bedazzling the Coast. I had a glorious day there yesterday, and will return soon!

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Lens-Artists Photo Challenge: Still Life

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“But in a still life, there is no end to our looking, which has become allied with the gaze of the painter; we look in and in, to the world of things, in their ambiance of cool or warm light, in and in, as long as we can stand to look, as long as we take pleasure in looking.”
― Mark Doty

“Bartholomeus went on, ‘I wanted to show that these objects are sensitive, suffer at the coming of night, faint at the departure of the last rays, which, by the way, also live in this room; they suffer as much, they fight against the darkness. There you have it. It’s the life of things, if you like. The French would call it a nature morte, a picture of inanimate objects. That is not what I’m trying to show. Flemish puts it better: a still life.”
― Georges Rodenbach, The Bells of Bruges

Patti has served up a worthy challenge for us this week: still life photography. I think of this genre as belonging to the studio or a fine arts classroom. It is all about creating a composition that is compelling, whether that be because of the juxtaposition of objects, or the light playing on textures, or the depth of field that draws the eye deeper into the photo. When I think of the shots I have taken that might qualify for this category, I think of the ones I spent more time staging. There’s a certain amount of creative manipulation that goes into this kind of photography, and I must admit, I don’t often go to those lengths. But when I do, it’s a lot of fun…and some frustration. I often know the WOW! result I want, but somehow, fail to get it. Playing around with the idea of the shot is exciting, though. I am really enjoying seeing your posts on this theme!

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Lens-Artists Photo Challenge: Environments

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“I went to the woods because I wished to live deliberately, to front only the essential facts of life, and see if I could not learn what it had to teach, and not, when I came to die, discover that I had not lived.” – Henry David Thoreau

For this week’s challenge, Tina of Travels and Trifles asks about our preferences for our Environment and reminds us of the story of the City Mouse and the Country Mouse.

I happen to love tent camping. The first photo in the gallery was taken two years ago on a backpacking trip to the Strawberry Mountain Wilderness in Oregon; I was a month shy of 60 years old. The last photo was taken, I believe, in Acadia National Park in Maine; I was three years old. I didn’t take those photos. All the others were taken on various car camping trips in the last ten years. The smell of wood smoke and the crisp feel of fresh air make me feel more alive than any other environment. To me, a baked potato raked from the coals and covered in butter and salt and pepper can taste as heavenly as a gourmet meal at a 5-star restaurant. (It helps to be ravenously hungry!) The feeling of self-reliance and freedom that settles around me as I’m making camp in a spot I’ve chosen for its magnificent view is priceless. It makes me feel like I belong on this Earth, just as I am.

Others can have their cities of man-made majesty. I’m a happy camper in a cathedral of tall trees.