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I’m Bein’ Schooled

There’s always more to learn, and I want to be a life-long learner.  Today, it’s history, science, art and poetry! 

In History, my big assignment is to learn about 19th century life in Wisconsin.   That’s right, friends; we got the job!  Steve and I will be working at Old World Wisconsin, a living history museum in the town of Eagle.  We will be costumed interpreter/educators.  Steve will be in the Wagon Shop on Tues/Wed/Sat, and I will be in the 1870s German Schottler homestead on Tues/Thurs and in the 1870s St. Peter’s Church on Sat/Sun.  Training starts on April 16.  I’m sure I’ll be posting more details and photos on that subject in the coming weeks.  The season runs through October.  Thanks for all your encouragement!

We went on a Science field trip yesterday.  My birthday girl, Becca, and the birthday boy, Josh, requested a visit to the Museum of Science and Industry in Chicago as their gift.  I haven’t taken them there since they were quite little, and now, they are in their 20s.  My oldest, who is on Spring Break from grad school, jumped at the chance to tag along.  I remember visiting with my family as a child in the 70s.  It has changed a lot in some ways, not at all in others.  My perception has probably changed the most.  As a child, I didn’t have any ethical questions about industry.  I certainly do now.  Like, why is it so great to be able to genetically manipulate corn plants so that they have pesticides in their DNA?  Does that make them tastier or healthier?  Why is it so great to be using larger and larger tracts of land to grow only one crop to primarily feed one type of animal that only some humans eat?  Things like that.  After seeing the John Deere side of farming, I’m all the more eager to learn about pioneer models.  On the fun side, how many short Italian Galasso kids will fit in the wheel of a tractor?  I counted three:

Emily's in Miami, otherwise, we might have squeezed her in, too!

Two old favorites in the museum harken back to the days I remember: the chick hatchery and the human body models. 

Hatching must be utterly exhausting. This chick fell asleep on his feet!

The March of Dimes hall of birth defects is defunct, but these are still in the stairwell. A brand new body exhibit takes up the upper balcony.

I’m counting the photos as Art, so now it’s on to Poetry.  It’s day #4 of the NaPoWriMo, and the challenge is to write an epithalamium.  Yup, I had to look it up.  It’s a poem celebrating a wedding, basically.  It’s traditionally written for the bride as she goes to her wedding chamberIt can even be sung…think small cherubic boys and girls throwing rose petals and singing about love, happiness, fertility and all that.  I actually envisioned writing to my 21-year old self and came up with this:

Epithalamium: To Have and To Hold

What will you have, young bride? And what will you hold?

That which spreads before you on the long damask board

Goes beyond the pretty souvenirs, traditional and fecund.

Ecru or ivory, embossed or engraved – this is the chaff.

The seeds in the wind are the weightier fare.

The blossoms tossed up are the days of your youth.

They fall to grasping hands, twist apart and scatter,

And what will you hold?

Planting your preference in calendar rows,

There grow the roots of a living, a life

With offshoots and upsprouts, the tender

Begging for tending, pulling on your exhalations,

Fastening to your breast, having as you give

A tug-of-love like war.

And what will you hold?

In the night beneath dark sheets,

In the crowded arena,

In the frightful, bright hallway,

In hushed canyons of stone,

In the places of secret or public adventure,

This man. Until you are parted by death.

Then what will you hold?

An open space, the shape of him,

The great restraint that won’t cave in…

Until you are parted as well.

 

School’s out.  Time to run outside and play!

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Tuned In

NaPoWriMo Day #3

Today’s prompt invited me to look up the #1 pop song on my birthday and write a poem inspired by that song.  I could also look up another significant date and use the song associated with that date instead.  I tried my birthday, and then the day that my husband and I always celebrated as the day of our first kiss.  I have to say that the first option won out.  Poems I have written inspired by my love for my husband will have to wait.  Especially since I am posting this in advance (courtesy the techno savvy of my friend Helen) because I am taking my kids to the Museum of Science and Industry for their birthdays today…their 23rd and 25th birthdays (kids never outgrow museums!).   I want to give my husband and the poetry he inspires a bit more time.

The number one hit song on the day that I was born was…..”The Locomotion” by Little Eva. 

I had an immediate association.  Not with the song, specifically.  With a train.  Steve has taken to describing my typical M.O. as “the freight train”.  It has to do with a very focused, linear way of acting.  I get into a task-oriented mode when I’m trying to get something accomplished.  I do not like to get side-tracked when I am operating like that.  I like to streamline and simplify and do one thing after another until the whole bloody thing is finished.  God help you if you get in my way.  That’s what cow catchers are for.  It can be an effective way of doing things.  Steve, however, likes to be “light on his feet”, like a river, like a school of fish, shaped by movement and fluidity.  There are advantages to that, too.  Anyway, it’s one of our points of reference when discussing our differences and trying to achieve compromise.

That’s the back story.  Here’s the poem:

 

Was I born to do this straight-track motion

Or was I just trained?

Was chugging along my very first notion?

Was it always ingrained?

It’s not much of a dance.

It’s not fluid with grace.

There’s not much of a chance

Of a partner to face

When we’re all in a line

Going forward full speed.

Someone’s always behind;

Someone’s always the lead.

So “ev’rybody’s doing it”,

And that may be true.

But, c’mon baby, are you sure it’s for you?

I think this is my moment to jump off the track.

And, no, I’m not asking for my money back.

Was that Scilla that just blew by?!

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Try a Triolet

Day #2 of NaPoWriMo today!

I am learning a lot.  The prompt for today is to write a “triolet”, which is an 8 line poem where lines 1, 4 & 7 are identical and lines 2 & 8 are identical.  The rhyme scheme goes like this: ABaAabAB.  Having never studied poetry, this is all new to me and fascinating to engage.  What do you do with a structure?  Play with it for a while, then take it apart and do something else, like with toy blocks?  There’s no “right” way to play, is there?  I think not.  So I go ahead and see what happens.

I was thinking about the repetitive nature of this particular pattern, and it reminded me of a conversation I had with Steve on a recent neighborhood walk.  We were talking about getting old, how older people spend their time until they die, the change in energy and the prelude to death.  My husband was technically “working” the day before he died, although by that time, he was working from home at the dining room table, from a laptop equipped with Zoom Text that made each letter on the screen about 4 inches high.  My father, in the advanced stages of Alzheimer’s, didn’t move or eat or do anything on his own.  He eventually succumbed to pneumonia after he lost the ability to swallow food without aspirating it.   My grandmother died in a nursing home rather uneventfully.  She had lived with us for several years before moving into a place that could care for her more comprehensively.  She spent her days watching TV in her room and would come to the dinner table and try to make conversation, often beginning with “They say….”  My father always insisted she cite her sources.  “Who says?  Where did you hear that?”

Our concepts of dying are so complicated and irrational.  What makes “sense” economically often offends morally.  Questions, decisions, choices, preferences and emotions arise.   What do we do with them?  How do we communicate our wishes for life and death?  To whom?  I don’t have any definite answers.  I hope I get to communicate what’s important to me to someone who is listening.  I hope my views are respected.  What that might look like, I cannot tell.  Steve mentioned casually at breakfast that he’d like Schubert’s Octet played at his funeral.  I asked him who he thought might be there.  He couldn’t even say.  I guess what matters is that I heard him when he said it.

 

Triolet for My Grandmother

There was nothing good on TV that day.

She turned her face toward the wall and died.

The years had slipped by while she wasted away.

There was nothing good on TV that day.

She’d listened and heard what they had to say.

They might have been right, but often they lied.

There was nothing good on TV that day.

She turned her face toward the wall and died.

(photo credit: Josh)

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Seize The Day!

It’s Here!

 

National Poetry Writing Month

Fun for the whole family!  My sister intends to match me, poem for poem, in the comments section of each of my posts.  Mind you, this is NOT a competition.  I have to be very clear about that and remind myself that this is about playing with words, creative collaboration, cleaning my windshield of mud and fear and stuff that gets in the way of my recognition of the wonderful ideas that I, even I, have shining on the horizon.  I remind myself of this several times a day because my older sister is brilliant and has always been better than me at everything.  Of course, that’s entirely my own hangup.  I admit it, and I’m old enough now to face it head on. Right? Right!

I am using a very inclusive definition of “poetry” here.  In other words, I’ve never been a student of poetry, I don’t know form and rules, but as a singer, I like words and rhythm.  As a visual person, I like icons and imagery.  Any formation of symbols that produce an experience can be called poetry in my definition.  Also, it’s understood that any poetry posted here is copyrighted.  If it’s not original, I will site the source. 

I am tickled that this event is starting on a Sunday.  Such creative connotations!  And on April Fool’s Day, just so that we don’t take our creativity too seriously.  I self-published a book of Poems and Parables back in 1997.   This was the first one:

God is a poem

Infinite in meaning

Economical in expression

Clothed in symbol and harmony

A breathing Word

Engaging all perception

Today’s prompt is “Carpe Diem”, with a reference to Andrew Marvell’s To His Coy Mistress.  I have to admit that my brain first translated that Latin phrase as something like “Fish Gods”.  You know, Carp Deities.  ‘Fish gods’ sounds like ‘fish guts’.  I was going down that path for a while.  But then, I remembered a conversation I had at breakfast with Steve about childhood development.  We have often referred to ourselves as 3 and 4 year olds.  He’s 3, and I’m 4.  I got a chart of early childhood characteristics at my last teacher training session, and we talked about how the descriptions fit us.  I often feel like we’re trying to get back to those authentic ideas of ourselves and that maybe, eventually, we’ll become infants again and live as though we were not separate at all from the environment.

So all that musing is background.  I began composing my first lines in the bathtub.  Here’s what I penciled in my notebook when I dried off:

My three-year-old comes out to play

With ne’er a thought about the day,

For what is ‘think’ or ‘time’ or ‘how’?

The only thing is ‘this right now’.

 

My three-year-old, with eye and ear

Stays open’d wide to what is here.

Experience is all, you see.

That three-year-old’s inside of me.

Sniffing a Ponderosa pine in New Mexico. Steve told me it smells like vanilla. I had to find out. I agreed. (photo credit: Steve)

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BOINNNNNG!!!

As we were walking off in the rain to meet his mom for breakfast, Steve made this sound of spring….boinnng!  I thought that would make a good title for a post. I admit that I am a sound effects gal.   It comes with being an actor of sorts and a singer.  Ever notice how most guys do use sound effects at least occasionally in their conversation, but women do less often?  Maybe it’s not really ladylike, but I get more animated as I get more comfortable with the people around me.  I enjoy hamming it up.  I’ve been posting some pretty serious stuff because I have a lot of that in me, too, but lately, I’ve been itching to burst out with something creative and lively.   I am ready to engage in some collaboration, but I’ve been frustrated in my recent attempts with voice students and job interviews (still waiting to hear from Old World Wisconsin).  I’ve found something to try, though….a poetry challenge!

That’s right, folks, the NaPoWriMo challenge is about to begin on April 1!  This is the National Poetry Writing Month challenge: a poem a day for 30 days.  I once self-published a booklet of poems and sold 50 copies at my church’s gift shop, all proceeds going to charity.  One of my poems got published in The Living Church magazine, though I got no payment for it.  My religious poetry tried to be very serious.  Nowadays I write rhyming greeting card poetry for Steve’s aunt, just because she lights up so generously when I do.  I’m curious to see how I might respond to the prompts offered by the challenge organizers.  It’ll be another way to discover who I am, and possibly there will be a collaborative element as I post and receive comments.  My father used to write very amusing little rhymes in Valentines and birthday cards for me and my kids.  I loved getting those in the mail!  I miss that.  Perhaps some of that joy will spring up with this endeavor in April.  Also, it’ll be fun to try to illustrate my posts with photographs to match. 

What do you do when you hunger for creative collaboration?  (…besides what the birds & bees are doing 😉 , which is very satisfying as well!)

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Winter Photos

So, here’s a pictorial view of my week.

I made almond cookies for Chinese New Year.  Extremely tasty with Amaretto and orange slices.

Honorable Almond Cookie

I supervised a bunch of 4 year-olds (68 of them, actually!) as they played in the Wehr Nature Center’s play space with spray bottles of diluted liquid watercolors.

Like a giant sno cone

I watched the sun setting in the west from my second story bedroom window.

"World turning on the burning sun...." (James Taylor)

And I felt the frost fly up on feathered wings into the morning light…and into my bones.

This morning, I took a group of Kindergarteners out on a nature hike.  One little boy walked beside me, counting excitedly.  “I found a hundred things!” he shouted.  Oh, there so many more than that, I thought.

Say it, no ideas but in things—
nothing but the blank faces of the houses
and cylindrical trees
bent, forked by preconception and accident—
split, furrowed, creased, mottled, stained—
secret—into the body of the light!

-William Carlos Williams (from “Paterson – Book One”)
Things…winter things…frosty filigreed, foggy white, cold-packed and angular,  distant and spare.

Ideas…winter ideas…hard and dense, insular, desperate, furtive.

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Sunday Poetry

Church Going by Philip Larkin (1954)

Once I am sure there's nothing going on
I step inside, letting the door thud shut.
Another church: matting, seats, and stone,
And little books; sprawlings of flowers, cut
For Sunday, brownish now; some brass and stuff
Up at the holy end; the small neat organ;
And a tense, musty, unignorable silence,
Brewed God knows how long. Hatless, I take off
My cycle-clips in awkward reverence.

Move forward, run my hand around the font.
From where I stand, the roof looks almost new -
Cleaned, or restored? Someone would know: I don't.
Mounting the lectern, I peruse a few
Hectoring large-scale verses, and pronounce
'Here endeth' much more loudly than I'd meant.
The echoes snigger briefly. Back at the door
I sign the book, donate an Irish sixpence,
Reflect the place was not worth stopping for.

Yet stop I did: in fact I often do,
And always end much at a loss like this,
Wondering what to look for; wondering, too,
When churches will fall completely out of use
What we shall turn them into, if we shall keep
A few cathedrals chronically on show,
Their parchment, plate and pyx in locked cases,
And let the rest rent-free to rain and sheep.
Shall we avoid them as unlucky places?

Or, after dark, will dubious women come
To make their children touch a particular stone;
Pick simples for a cancer; or on some
Advised night see walking a dead one?
Power of some sort will go on
In games, in riddles, seemingly at random;
But superstition, like belief, must die,
And what remains when disbelief has gone?
Grass, weedy pavement, brambles, buttress, sky,

A shape less recognisable each week,
A purpose more obscure. I wonder who
Will be the last, the very last, to seek
This place for what it was; one of the crew
That tap and jot and know what rood-lofts were?
Some ruin-bibber, randy for antique,
Or Christmas-addict, counting on a whiff
Of gown-and-bands and organ-pipes and myrrh?
Or will he be my representative,

Bored, uninformed, knowing the ghostly silt
Dispersed, yet tending to this cross of ground
Through suburb scrub because it held unspilt
So long and equably what since is found
Only in separation - marriage, and birth,
And death, and thoughts of these - for which was built
This special shell? For, though I've no idea
What this accoutred frowsty barn is worth,
It pleases me to stand in silence here;

A serious house on serious earth it is,
In whose blent air all our compulsions meet,
Are recognized, and robed as destinies.
And that much never can be obsolete,
Since someone will forever be surprising
A hunger in himself to be more serious,
And gravitating with it to this ground,
Which, he once heard, was proper to grow wise in,
If only that so many dead lie round.

I love this poem.  Every time I come to it, I recognize myself – awkward longings and reverential questions, sentimental habits and a hunger to be wise, anachronistic and timeless seriousness.  My spirituality is in transition.   I went to Church every Sunday for 47 years with very few exceptions.  I haven’t been for the last 2 years.  I am working on embodying a more inclusive philosophy, a less social practice, and a less dogmatic and judgmental religious outlook.   I do miss singing in the choir, though I have put lots of good music in my life, and found many holy places in which to look up and many opportunities to practice love outside of the Church.  I feel rather like I’m cutting apron strings and finally growing up.  When I was a child, “Children’s Church” was another place where grown-ups told you how to be and said, “Repeat after me.”  When my children went to church, they had what was called “Catechesis of the Good Shepherd” which was a Montessori-based religious ed approach.  The children explored their own innate spirituality through play, manipulating figures of shepherd and sheep and acting out rituals with candles and vestments and various other items.  I think the idea was to give permission and encouragement for the children to experience their own connection with the stories they were told and express their own emotions about them.  So anyway, I suppose there is an evolution of spirituality within a person’s lifetime.  It’s different for each person, of course.  To stay in the routine of church going without engaging in any new dimension of thought or experience would be a deadening of the dynamic, though.  I want to have a living faith, and I’m experiencing a new kind of life now.  And I suppose that I am also rationalizing in order to give myself permission to be absent from Church.  It’s a complicated relationship.  Maybe more like being a daughter than I imagined.  I’m still trying to mature.