Unknown's avatar

The Eyes Have It

I started a little tradition this December as a stand in for the Advent calendar.  I am sending a text message every day to my kids, reminding them of a gift that they have.  The first one was sunshine, the next air, then water, soil, snow, movement, memory, imagination, and today…sight.

I am a very visual person.  I have a visual memory.  A teacher once told me that there is an easy way to assess whether a child is a visual learner.  Ask him to tell you the contents of his closet.  If he looks away from your face and off to a neutral space in order to list things, he’s probably visual.  He’s removing his eyes from distraction so that he can “picture” his closet.  I heard this little trick and remembered all the boring afternoons I spent as a freshman at college picturing every detail of my room at home.  (Yes, I was terribly homesick.  Mostly for my sweetheart.  Finally married that hometown honey on Christmas break my senior year.)  I could still do it 30 years later.  I close my eyes and see my room exactly as it was.  (Where did my mother get that faux velvet wall hanging with the peacock on it?  And why did I bring it to college with me?)

Things I love to see include landscapes, sunshine, animals, trees, the sky…anything natural.  And people.  Faces, bodies, those odd architectural places of form and shadow and contrast that only your intimate loved ones allow you to look at to your satiation.  I can never get enough of staring at people I love.  That’s why I’ve always been fascinated by photography.  My sweetheart bought me a Canon AE-1 camera the second Christmas we were together.  My mother asked me, “Are you going to accept that gift?!”  Hell, yes!  Why wouldn’t I?  Oh, the relationship obligation thing.  No problem; we’re going to be together forever, I told her.  Jim died a year before the camera’s shutter gear got stuck.  So, basically, I partnered both of them for the same amount of time: 30 years.  Now, it’s the digital age, and I can’t afford to get the Canon repaired.  I’m saving for a DSLR.

Visual images are so powerful for me.  I don’t like the rapid, frenetic pace of graphics on TV or in movie ads, though, because they give me a headache.  Fortunately, I don’t own a TV, so I don’t get subjected very often.  We saw the Super Bowl at a sports bar last year and decided that we could make a drinking game based on a few visual cues: something exploding, rotating text graphics, and morphing forms.  Everything was moving.  Whatever happened to the timeless grace of a beautiful still shot?  I get my fix on National Geographic’s website under “The Daily Dozen”.  And I have to say that my sister’s photobucket is also a superb repository of stunning visuals.  Thank you for those “prezzies”, DKK!

Appreciating sight.  What are your spontaneous choices for favorite images?

My sweetheart, courtesy The Canon, 1980

Unknown's avatar

Imagine That!

Do animals have imagination?  Do they think in concepts or toss ideas around?  Or is that strictly a human thing?

Animals have some pretty incredible artistic skills.  I think of weaver birds or bower birds, birds that display their expertise in foiling predators and attracting mates.  Does that indicate imagination?  Cats, chimps, elephants and others have created art with paintbrushes or paws dipped in colors.  Is that imagination?  Maybe.

What good is imagination?  Why is it a useful skill or a precious gift?

It keeps us from getting bored.  It motivates us to engage in possibility.  It fuels hope.  But I suppose it could also be said that it fuels depression or despair.  So, it’s a tool that we have in our skull-shaped kit box.  We can use it however we want.  We get to be creators.  And it’s free.  You don’t need electricity to run it; you don’t have to have an account or a password.  This is one of the greatest gadgets ever!  Do we celebrate it?  Encourage it?  Teach it?  Or do we try to corral it, censor it, mold it, sterilize it?  Well, historically we have done all of these, to be truthful.  What have you done with yours lately?  Do you have a secret place where you put the workings of your imagination?  A journal, a sketchbook, a doodle pad, a workbench, a tape recorder, a music staff, a photo album?  Do you unwrap these presents for yourself sometimes?

When I was in college, I worked summers at a Christian camp.  I was in charge of the arts & crafts area.  It was called “Imagination”.  Over the doorway in blue paint and gold glitter, the name hung like a talisman.  Each day, I wondered which kid was going to come in and blow my mind with something s/he created.  I remember one tall, skinny, shy kid with a speech disorder, named Devin.  He was 14.  He would come in and look bored.  I gave him some clay and googly eyes.  He joked around, embarrassed, and then made a pretty good likeness of E.T. from that summer’s most popular movie.   The next day, five campers came into the shop asking if they could make an E.T. head.  Not that the art was original, it was completely derivative.   But the idea to create something started a fad, like the kids were just waiting for someone to allow them to explore their own imaginations.

Steve came up with a book from his bookstore collection called Artful Jesters by Nicholas Roukes.  “Innovators of Visual Wit and Humor” it says.  Here’s the cover:

The artwork is by Willie Cole; it’s called “Burning Hot I – Sunbeam iron with yellow and red feathers”.  I would love to raid all the recycling containers on my block, set up a workshop in my garage, and make “Imagination” come to life again.  I’d invite all those shy, awkward kids and the ones who pay too much for entertainment, and see if they’d engage in this wonderful ability we humans seem to have inherited from somewhere.  We are co-creators in this world.  It’s a pretty nifty gig.  I appreciate all my blogging friends, my musician friends, artists, knitters, chefs, actors, gardeners, sculptors, photographers, architects, designers…thanks for opening up your shops and showing us it can be done.

Unknown's avatar

Fairy Princess Dreams

Last night we went to see the Bolshoi production of Sleeping Beauty on the cinema screen.  The newly restored Moscow theater features gilded woodwork and royal red upholstery, a royal box and no “cheap” balcony seats.  It is Old World magnificence  and romance in itself.  Add Tchaikovsky’s  lush orchestral score (which includes not one, but two harps!) and the lavish beaded, satin costumes and tutus of classic ballet and you have a Spectacle of epic proportion.  We sat in the 5th row and felt like we were actually on the proscenium during the close up camera shots.  It was breath-taking.  Princess Aurora showcases all her most difficult moves in Act I at her 16th birthday party, partnered by 4 elaborately dressed foreign suitors.  Cymbals accentuate each technically challenging pose, and she becomes the prima ballerina superstar of all my girlhood dreams.  Suddenly, I am 10 years old and sitting next to my father at the Auditorium Theater in Chicago.  The ballet is so beautiful and I am so lucky and so loved and I miss my dad so much that I can’t hold back the tears.   My heart is too full.

My dad proudly attended to the cultural education of his 4 charming daughters.  We had classes at the Art Institute and ballet lessons at a studio on Michigan Avenue every Saturday.  He had season tickets to the ballet for the whole family and to the opera for my mother.   I was absolutely stage-struck as a kid and couldn’t resist trying on poses and gestures in the lobby during intermissions.  I was the youngest of his daughters and probably tried the hardest to please him.  I suppose I felt like a princess in many ways.  I counted on my father’s kingly protection and generosity.  I sometimes slept through life, waiting for Prince Charming to appear and carry me off to a dream of happiness.  I met my prince when I was 15, married him when I was 21, and almost lived the whole freakin’ fairy tale.   But no, I lived a real life.  And I’m glad of it.

I found out that grace takes a lot of hard work, that fathers are imperfect people, and that love is stronger than death and more powerful than beauty.  And it also requires a lot of hard work.  Discipline and commitment can be more lovely than romance.  Facing reality is more invigorating than dreaming.  Pinch me when the spectacle seems overwhelming; I want to know I’m alive.

And David Hallberg is my new fascination.  Not only is he a supremely graceful human being, he blogs, too.  Yup, he’s real.

photo from The New York Times

Unknown's avatar

Christmas 1982

Ever had a piece of music bring up a memory, a time and place from the past, with such clarity that you felt you were actually there?  Last night it happened.  I came home from my Memoirs class, having read my essay aloud with such a rush of nervous adrenaline that my heart was still pounding.  I decided to have  a glass of Chardonnay and listen to some of Steve’s recently acquired CDs with him.  So, I was relaxing and in “memory mode” when he put on a CD of the Tallis Scholars singing a mass by John Taverner, written around the turn of the century – the 16th century.   Oh, the flood of my heart!

I was 20 years old.  Jim and I had become engaged on my birthday over the summer.  I went back down to So. Cal. to school, to continue with my bachelor’s degree in Vocal Performance.  Jim and my mother were in a Bay Area singing group together, called Renascense (or some archaic spelling pronounced ren-NAY-sense).  I came home for Christmas and was invited to one of their concerts.  I close my eyes and picture them:  Jim in his black tuxedo, ginger mustache,  the smatterings of a beard he’s grown for Rigoletto.  He is 22, teddy bear-like with twinkling blue eyes, blonde hair and a killer Italian grin.  But while he’s singing, he is an angel, mouth perfectly forming straight vowels, eyebrows imploring heaven.  He is a tenor.  His voice melts butter.   My mother is dressed in a mail order catalog nightgown, polyester, rust-colored, that has been trimmed with gold & black cord around the waist and across her bosom in an X.  Only women who have sung in choirs can imagine how absolutely ludicrous these outfits can be.  No woman looks good in a choir uniform, let alone one that has been made to look “period” on the cheap.  It is ridiculously embarrassing, but I forgive her.  She sings alto in a hooty voice that blends well.  Her quality is not stellar, but her musicianship is indispensable.

I have been so homesick away from school.  I have been staring at my diamond ring, counting the days until break.  I sit in the concert hall and look at these two people whom I love more than any others on the face of the earth, and I am so proud of them.  I’m proud of their dedication to music and their fond relationship to each other.  I admire them completely, and I am jealous.  I want to be with them; I want to be them.  I want to feel the music in my breast float to the clerestory of the church and entwine in that beautiful polyphony.  I ache for this memory.  And then the tenor line soars above the rest, and it is Jim himself, singing to me.  The recording is perfection.  I can tell that it isn’t Jim, but there are moments when it definitely could be.  My will takes over and I make it him, in my mind.   I am there, in that sanctuary, and Jim is singing to me, alive, young, vibrant with love and mystery and warmth.

Jim before his Carnegie performance - 2001?

Music folds time in patterns that defy chronology.  I sail far away on its transcendent waves.  It is a grace to travel toward those we love without limits.

Unknown's avatar

Film Noir et Blanc

Saturday night we went to see a movie:  “Nosferatu: A Symphony of Horrors”.  This silent movie from Germany was accompanied by a live band from St. Louis called The Rats & People Motion Picture Orchestra, which features Wurlitzer electric piano, theramin, vibraphone, electric guitar, two violins, viola, trombone, trumpet and one percussionist.  The theater itself is an old relic.  Typically, the front rows of seats are replaced with old couches and sofas and end tables.  For the crowd on Friday, though, there were rows of seats and cafe tables on the side.  It was a pretty funky set-up, with lots of young people in attendance, and a few old fogeys like myself and Steve.  The theramin player was fascinating to watch.  She also played a violin part.  Her intonation was better on theramin, unfortunately.  It was good creepy, goofy fun, though.  German expressionism is interesting.  How would you stylize fear or death or love?  Silent horror film stars don’t scream.  Their eyes widen; they grimace; they gesture, but they don’t scream.  Make-up and background heighten contrasts.  Here’s the iconic image from the film.

Steve likes the childlike exploration of a basic emotion – fear.  It’s not deep and philosophical, really, nor is it very clever or contrived.  I tend to find the old horror films funny.  I mean, here comes Count Orlok walking through town with his coffin under his arm.  Seriously?  I won’t even go to a modern horror movie, though.  I get too tense.  It’s not good for me.

On Friday night, I finally watched “Citizen Kane”, which we borrowed from the library.  I’d never seen it, although the ending had been spoiled for me many times over the years.  I got hooked by Orson Welles’ genius.  The way he pieces together the story, the radio-inspired musical effects, the dialogue and writing, the visuals and directing, and his acting are just brilliant.  Did you know you can buy a T-shirt with his picture on it that says, “I made Citizen Kane when I was 25.  What the fuck have you done?”  His creativity is evident, and was technically ground-breaking at the time.  I mused about the psychology of the story for hours afterwards.  Agnes Moorehead’s portrayal of his mother was just eerie.   Issues of control and freedom and power squeak out in each scene.  So, I’m in total agreement with everyone who says it’s possibly the best American film ever made.

One more thing: what do you do with leftover movie popcorn?  Feed the squirrels.  I put it out on the old wicker chair.  It’s already gone.  Now it’s snowing.  Food is going to be harder to find.  I might need to see another movie.

Unknown's avatar

Sunday Poetry

Church Going by Philip Larkin (1954)

Once I am sure there's nothing going on
I step inside, letting the door thud shut.
Another church: matting, seats, and stone,
And little books; sprawlings of flowers, cut
For Sunday, brownish now; some brass and stuff
Up at the holy end; the small neat organ;
And a tense, musty, unignorable silence,
Brewed God knows how long. Hatless, I take off
My cycle-clips in awkward reverence.

Move forward, run my hand around the font.
From where I stand, the roof looks almost new -
Cleaned, or restored? Someone would know: I don't.
Mounting the lectern, I peruse a few
Hectoring large-scale verses, and pronounce
'Here endeth' much more loudly than I'd meant.
The echoes snigger briefly. Back at the door
I sign the book, donate an Irish sixpence,
Reflect the place was not worth stopping for.

Yet stop I did: in fact I often do,
And always end much at a loss like this,
Wondering what to look for; wondering, too,
When churches will fall completely out of use
What we shall turn them into, if we shall keep
A few cathedrals chronically on show,
Their parchment, plate and pyx in locked cases,
And let the rest rent-free to rain and sheep.
Shall we avoid them as unlucky places?

Or, after dark, will dubious women come
To make their children touch a particular stone;
Pick simples for a cancer; or on some
Advised night see walking a dead one?
Power of some sort will go on
In games, in riddles, seemingly at random;
But superstition, like belief, must die,
And what remains when disbelief has gone?
Grass, weedy pavement, brambles, buttress, sky,

A shape less recognisable each week,
A purpose more obscure. I wonder who
Will be the last, the very last, to seek
This place for what it was; one of the crew
That tap and jot and know what rood-lofts were?
Some ruin-bibber, randy for antique,
Or Christmas-addict, counting on a whiff
Of gown-and-bands and organ-pipes and myrrh?
Or will he be my representative,

Bored, uninformed, knowing the ghostly silt
Dispersed, yet tending to this cross of ground
Through suburb scrub because it held unspilt
So long and equably what since is found
Only in separation - marriage, and birth,
And death, and thoughts of these - for which was built
This special shell? For, though I've no idea
What this accoutred frowsty barn is worth,
It pleases me to stand in silence here;

A serious house on serious earth it is,
In whose blent air all our compulsions meet,
Are recognized, and robed as destinies.
And that much never can be obsolete,
Since someone will forever be surprising
A hunger in himself to be more serious,
And gravitating with it to this ground,
Which, he once heard, was proper to grow wise in,
If only that so many dead lie round.

I love this poem.  Every time I come to it, I recognize myself – awkward longings and reverential questions, sentimental habits and a hunger to be wise, anachronistic and timeless seriousness.  My spirituality is in transition.   I went to Church every Sunday for 47 years with very few exceptions.  I haven’t been for the last 2 years.  I am working on embodying a more inclusive philosophy, a less social practice, and a less dogmatic and judgmental religious outlook.   I do miss singing in the choir, though I have put lots of good music in my life, and found many holy places in which to look up and many opportunities to practice love outside of the Church.  I feel rather like I’m cutting apron strings and finally growing up.  When I was a child, “Children’s Church” was another place where grown-ups told you how to be and said, “Repeat after me.”  When my children went to church, they had what was called “Catechesis of the Good Shepherd” which was a Montessori-based religious ed approach.  The children explored their own innate spirituality through play, manipulating figures of shepherd and sheep and acting out rituals with candles and vestments and various other items.  I think the idea was to give permission and encouragement for the children to experience their own connection with the stories they were told and express their own emotions about them.  So anyway, I suppose there is an evolution of spirituality within a person’s lifetime.  It’s different for each person, of course.  To stay in the routine of church going without engaging in any new dimension of thought or experience would be a deadening of the dynamic, though.  I want to have a living faith, and I’m experiencing a new kind of life now.  And I suppose that I am also rationalizing in order to give myself permission to be absent from Church.  It’s a complicated relationship.  Maybe more like being a daughter than I imagined.  I’m still trying to mature.

Unknown's avatar

Handmade, Naturally

Today I had an opportunity to get into the holiday spirit by doing some arts & crafts with kids at the Nature Center.  Unfortunately for fundraising but fortunately for me, not too many people showed up this morning.  That meant that I got to play with the materials myself.  I was at the wrapping paper station with an array of washable paint colors and objects to dip into them.  Leaves, cedar boughs, fir needles, spruce branches, feathers, pine cones, sponges and whatnot.

Years ago, I went into the prairie with scissors, came back with leaves and seed pods, spray painted my treasures in gold, silver, and clear varnish, and decorated a mask with them.  That hung on the wall of the den for ages.  I’m always looking for ways to decorate indoors with pieces of the outdoors.  And all for free, essentially.  (Cheap & Weird – my kids’ nickname for me)  That reminds me of the dried macaroni gifts I gave the Christmas I was, what, 9?  Too funny.  Spray paint macaroni, glue it to a box, call it a gift.  I suppose I could get away with it as a kid, but what is it called when I’m almost 50 and still messing around like that?  Okay, call it messing around.  I have fun.  Here are a few examples:

Imagine me gleefully slapping a piece of butcher paper with a paint-soaked cedar branch ala Jackson Pollack!  I tell you, kindergarteners should not be having all the fun.

The best things in life are free.  So far on my December countdown, I’ve received Sunshine (Dec. 1), Fresh Air (Dec. 2), and Water (Rain – today).  Each day I go outside to receive some miraculous gift, and there’s always something.  No need to wrap it or trap it.  Martha Stewart or Andy Goldsworthy, I’m not.  Just a kid in a fabulous universe, trying to stay happy with what there is.

Unknown's avatar

Make Way for Duck Hunters

I’m new around here.  To Wisconsin, that is.  People here shoot animals at state nature areas.  And the DNR is okay with this.  They post helpful signs that indicate which recreational activities are allowed and that includes the hiker dude whom I recognize, and a hunter dude whom I don’t.  Well, I recognize him now.  I’ve been seeing more of him lately.  He’s up there next to the binoculars.  I can’t figure out how all these things coexist, though.  If you’re in a wildlife refuge area to view wildlife and hike around, and other people are there to shoot at the wildlife, what’s the etiquette for getting along?

Steve and I walked in the Vernon State Wildlife Area on Wednesday.  This was our fourth visit.  We’ve seen so many different kinds of animals there: birds and frogs and turtles and fish and muskrats.  I wanted to see how the place was changing with the season.  We walked down the gravel trail alongside the railroad tracks and heard 3 shots.  When we got to the other parking lot, we saw 4 pickup trucks with gun racks.  One of them had a sticker that said, “P.E.T.A. – People Eating Tasty Animals”.  Gun deer season was just over, I thought.  We walked out on the dike and saw decoy ducks on the water in several different places.  As we got nearer, people in camouflage gear appeared in the cattails.  I had my binoculars and my camera.  They had guns and a dog.  Steve and I were talking in low voices, wondering to each other, actually, what the protocol was for this seeming conflict of interests.  Were the hunters harboring ill will for us, thinking that we were maybe scaring away the ducks and geese?  Were we harboring ill will for them, thinking that they are killing the wildlife we’ve come to enjoy?  Were the water birds harboring ill will for all of us, wishing we’d just let them be?  We nodded greetings.  At one point, some birds flew over in formation while the hunters tooted away on their duck call devices, but apparently, they were too high up to shoot.  If they were any lower, would they have shot anyway, while we were standing there on the path??  I just don’t know how this is suppose to work.  Are we supposed to stay away during hunting season?  It’s not posted that hikers can only be there on certain dates.   We heard shots as we walked back to our car.

I’m still puzzled about this.  I have heard a few more stories from folks I’ve met about deer hunting.  People have great family memories about hunting traditions.  I imagine my favorite postal employee out there in the field, waiting 8 hours to spot a deer, and I suppose it’s kind of like fishing.  You get to sit quietly in nature and forget about business at the post office.  No one bugs you for hours at a time.  And if you see a deer, you aim and shoot.  If you hit it, you get to be all physical and field dress it and carry it away.  Sounds like a complete departure from stamping packages all day long.  I appreciate that.

As if Andy Goldsworthy had been here

There’s a particular stark beauty in the late fall landscape.  Trees are skeletal.  Light is low and angled.  Ice forms in geometric patterns.  It’s rather post-modern feeling.  It makes me moody.  So does the hunting scene.  In a way, it fits, though.  I guess I’m coming to a kind of ambiguous acceptance of it.  Survival, mortality, an uneasy coexistence with everything.  In the summer, this same drama is played out, except it’s covered in fecundity and green light.

Still, the universe is a complicated tapestry, as Steve said last night – a magic carpet stretching in all directions forever.  I look for a perch from which to see as much of it as I can.

Unknown's avatar

‘Tis A Season

When I was a kid, I always had an Advent calendar to count down the days from the first of December until Christmas Eve.  I had the same tradition with my own kids.  The secrets hidden behind each door were often Scripture verses.  It was important to tell the story of Jesus’ birth and make sure my kids knew that was “the reason for the season”.   There are other little treasures we could open each day, though.  When my son was taking German in high school, they sold Advent calendars with chocolates in them.   My father used to make us calendars out of magazine pictures and various old rotogravures with fortune cookie strips for the daily message.  We made our own calendars for each other, too, with simple crayon symbols behind the cut out doors.   The season has multiple images in my mind, and now I’m trying to figure out what it means to me at this point in my life.

I will always have respect for Jesus and the Christian story.  They were supremely important in my life for many years.  My spirituality was formed around them.  I think it is good to examine and re-examine beliefs, though, and strive for genuine and authentic expressions of experience.  My experience is expanding as I age, and I want to include more of those experiences in my belief system.  I want to include respect for other cultures, other religions, other parts of the planet and the universe.  I have a sister who is Sikh, a son who identifies with Buddhism and Native American spirit stories and a father who once taught science.  There is a lot going on all over the world in this season.  What do I want to acknowledge or celebrate?

My youngest daughter has always loved this season.  She used to go to the local Hallmark store in the middle of the summer to look at the Christmas village set up there.  What was that about?  Sparkly, pretty, cozy, homey, yummy expectations of treats?  Possibly.  Peace, love, joy?  Possibly.  Emotions?  Definitely.  Why not focus on pleasurable human senses and emotions?  Up in the northern hemisphere, we are spinning away from the sun and plunging into a cold, dark time.  Light becomes more precious, warmth becomes holy, food is life itself.  Why not celebrate that dependence?  We are sustained by the sun and the producers of this planet that make food from its energy.  Evergreen trees remind us of that.  Gifts remind us that we receive from the producers; we are consumers.  Gratitude is the attitude of the season.  Giving is the action that sustains us.

I sent a text message to each of my kids this morning saying that the gift for Day #1 this season is sunshine.  The sun is shining here, showering us with Vitamin D and all kinds of other goodies we need to be healthy and happy.   We are blessed, saved, sustained, given life in this universe by an amazing set of circumstances that we did not originate.   However you acknowledge that and whoever taught you to acknowledge that deserves attention.  May you be happy as you think and act in awareness of this.

 

Unknown's avatar

November Lights

Yesterday was a weird day.  I spent too much time in my head, trying to finish up my memoir contest entry.  The laptop was on the dining room table while the stock for the turkey soup simmered.  Going from writing to cooking gave me a respite from my growing headache, and I managed to get a meal on the table and a satisfactory rewrite done by the end of the day.  But the best part was taking a walk after dinner.  After the sun set, there was a silver sliver stuck in the bare branches.  My favorite decoration.  We muttered and grumbled about Christmas stuff already set out and spewing neon, and ached to have a fireplace of our own so that we could keep the passing woodsmoke high going.  “When are we going to move out to a rural homestead?” Steve asked.  It’ll happen.  Someday.  Meanwhile, I am practicing my skills.  I won’t get any contest results until March, but here are the results of the turkey soup and the chocolate chip bread pudding.

I’m going to take a break from writing today.  The sun is shining.  I want to be outside.  So grateful not to be working in a cubicle any more.