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“Jerry”, Faulkner and the Laundromat

*Note: this was originally posted on Sept. 15, 2011.  It has been edited for submission to Into The Bardo, A Blogazine.  “The Bardo” is a place of transition, perhaps akin to Purgatory.  It is common ground and a sacred space of sorts.  It’s intriguing to think of the Laundromat as a place like that.*

David Attenborough makes a point in The Life of Mammals video about “Social Climbers” – monkeys.  He says that you can tell how large a monkey’s social group is by the size of his brain.  Baboons live in large, complex social structures and have the largest brains of all the monkeys.  Surviving and thriving in a social environment means that you have to be able to assess situations and make an array of decisions – how to make allies and with whom, how and when and whom to fight, how to secure a mate and improve your chances of passing on your genes.  Navigating social life is even more brain-bending if you’re human, I think.  More subtleties are involved.  Here’s a case in point: the laundromat.

When Jim and I were first married, I did laundry at the laundromat.  I hated going there, for several reasons.  First of all, I was pregnant.  The smells nauseated me; the physical demands of standing to fold and hoisting large loads of clothes around exhausted me.  It was a depressing place to be physically, but perhaps even more uncomfortable was the social aspect.  You never know what strangers you might encounter.  I have had some rather pleasant days at the laundromat.  I met a psychic, once, who was very interesting.  She could tell I was skeptical and not receptive, but she kept on talking to me nevertheless.  Gradually, I relaxed and figured out how to respect her and appreciate her and communicate that to her.  We parted with a hug and wished each other well.  Mostly, I get a pleasant experience if I can do my laundry in silence and read a few short stories at the same time.  What I often find is that the laundromat is a place to observe human suffering, my own and others’.

I happened to have selected a book of short stories by William Faulkner as my laundry companion.  I grabbed it off of Steve’s stack figuring that short stories would fit nicely into those periods of time between cycles, and I wouldn’t mind being interrupted or distracted as much as I would if I were trying to tackle “heavier” reading.  What I didn’t think about was that these stories of post-Civil War race relations would be cast for me on a backdrop of the urban reality of this century…and that the same awkward tensions would result.   I felt like some of his characters, eavesdropping in the kitchen, when people in the laundromat would chatter on their cell phones to friends and social agents.   Outwardly, I guess I was trying to be invisible.   I couldn’t help picking up snatches of their lives and wondering about their stories.   For example, Jerry and his family…

I’ve seen Jerry twice now.  Yesterday, I recognized him as I approached the laundromat.  He was wearing a diaper under sweatpants, shoes, and no shirt.  He was hitting his head repeatedly and grunting.  Or maybe it was more like moaning.   The woman he was with may have been his mother.  She was in a wheelchair with an artificial leg that looked like a sandbag.  He was with another woman as well, perhaps his sister.  She was the one doing the laundry.  I remembered them from a month ago.  They came with about 7 large, black garbage bags full of clothes.  They took a social services shuttle bus to get there; I knew this from hearing the mother make cell phone calls about being picked up.  This woman had the sweetest, kindest voice you would ever hope to hear.  Her voice was full of compassion and pain; it was lilting and rich and Southern.  I would cast her as a black Mammy in one of Faulkner’s stories.  Her manners were impeccable.  If she had to pass around me, she excused herself, and I felt like apologizing profusely for being in the way.  Her daughter (?), the other woman, spoke almost unintelligibly as she did the laundry and corralled Jerry.  Even the woman in the wheelchair told her, “I can’t understand what you’re saying.”    Jerry likes to wander.  They don’t want him to wander out to the street and get hit by a car.  They don’t want him to bother the other people in the building.  Their voices called out periodically, “Jerry.  Jerry, come over here.”  “Jerry, honey.  Stop!  Jerry, come here.”

When Jerry wanders near me, I don’t know what to do.  I keep my head down and my eyes in my book.  Would I frighten him if I made eye contact?  Would he frighten me?  Another gentleman was there.  He helped bring Jerry back inside when he wandered out.  The mother thanked him, “You’re so sweet.  Thank you, sir.”  They exchanged names.  He told her that he has a grandson who was hit by a car at age 7; the grandson is now 25 and has brain damage.  “Oh, so you know.  You understand,” she sighed.  I learned that Jerry is 32 years old.

In the other corner of the room, there was a mother with a 5-year old daughter, London.   She looked about 5, anyway.  London had a pacifier.  I heard her mother yelling at her.  “London!  Get up offa that floor!  Sit your butt down here!”  Her voice was sharp and angry.  London began to cry.  There is not much to interest a 5 year old in the laundromat.  She hadn’t brought any toys or books to occupy her.  The mother talked on her cell phone while London played with the lid of the laundry hamper.  I made eye contact with the child as we went about our business.  She silently bent her wrist toward me, while sucking her pacifier.  “Oh, did you hurt yourself?” I asked.  “London!  Get out of the way!” her mother said.

In the Faulkner story, Master Saucier Weddell is trying to get back to Mississippi from Virginia.  He is the defeated.  He and his traveling companion, his former slave who is very attached to him and his family, find themselves in Tennessee at a farmhouse.   These victors are extremely suspicious.  They think Mr. Weddell is a Negro.  Actually, he’s Cherokee and French.  The story is short, but intense.  The traveler and the farmer’s younger son end up being killed in an ambush by the farmer and his Union soldier son, Vatch.  The last two sentences read, “He watched the rifle elongate and then rise and diminish slowly and become a round spot against the white shape of Vatch’s face like a period on a page.  Crouching, the Negro’s eyes rushed wild and steady and red, like those of a cornered animal.”

I finished my laundry in silence.  I waved my fingers and mouthed “goodbye” to London who had been banished to the corner.  Her mother didn’t see me.

At home, the late afternoon sun shines down on the quilt on my bed.  Steve isn’t home, and it’s very quiet.  I feel like crying.  My brain is not big enough to figure out why.

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Taking Action, Stepping Out, Making Meaning

My husband was diagnosed with diabetes after his first heart attack when he was 31 years old.  He died 16 years later from coronary artery disease, kidney failure, and other complications of diabetes.  He was sleeping in bed next to me and never woke up.  I unplugged his dialysis machine, his CPAP machine, and his insulin pump that morning and set him free.  That was 3 and a half years ago.  My eldest child got the idea the next year that she wanted to do something to honor her father and take action to support diabetes research.  She and 2 of her siblings participated in a fundraiser called StepOut Walk to Stop Diabetes.  I was really impressed by her initiative and her civic action.  I joined her the next year with Steve; the siblings had moved west by then.  This year, we are all going to participate together.  All 4 siblings and mom with a few significant others alongside.   Our goal is to raise some money, to honor Jim, and to be involved in positive action as a grieving family.   (If you want to donate money on behalf of our team, go to http://main.diabetes.org/goto/pgalasso)

Team Galasso 2010

Do I expect that our participation will cause this disease to be eradicated?  Well, not really.  Do I imagine that Jim will feel honored and bring some good fortune to us from the spirit world?  Not exactly.  Do I hope that our sorrow will abate and our self-esteem will soar as we pat ourselves on the back for “giving back” to the community and “fighting” for a cause?  Actually, I don’t.  All of those things are ego-based and not very realistic.  What am I really doing, then?  Well, I think of it as “pointing the canoe” again.  I see that people suffer from this disease.  I see that certain kinds of medical technology and education have been used to ease that suffering.   I want to paddle my canoe, make some effort, toward helping those who suffer, not because I believe that I can rescue someone, but because it is how I want to live.  I want to honor Jim and remember him because that’s how I want to live.  I want to work with my family’s grief because that’s how I want to live.  I don’t know if any particular thing will result; I don’t expect to become noble or perfect or anything.  I do know that paddling in that way lets me choose a purpose and work toward it.  I suppose it helps my mind to be directed toward meaning.

So, why are we humans always looking for meaning?  Inquiring minds want to know…

That Steven Colbert report clip from the Approximate Chef suggests that we want to feel safe about the ending of the story.  We tell ourselves, “It’s okay, because it turns out this way; I know it does”.  That gives us, what, control?  Last night I had a dream about  meeting “the woman who owned the house” of the estate sale I went to yesterday.  I don’t even know that a woman lived there.  In fact, it was quite a masculine log cabin, with a boat and a mounted moose head dominating the decor.  What was my subconscious trying to figure out?  Well, I was trying to assure myself that this family was okay.  They were selling all their stuff.  They were letting strangers into their house to buy their belongings.  There has to be a story there.  I just went through the sale of my family home.  I had emotions about it.  I had a story.  I imagine that there are people behind these things with an emotional story, and I want to be told that they are okay.  I want to be satisfied that there is some meaning to the sale of these possessions.   Ultimately, I want to know that I’m okay, that my story has a happy ending.  (Steve always tells me that everyone in your dream is really you.)

Man’s Search for Meaning by Victor Frankl comes to mind.  I read parts of it.  Is this how we keep ourselves sane in “stressful” circumstances?  Is it just a game?  If it works, does it matter?  If I am not dogmatically asserting that my actions are ultimately meaningful, just saying that I find meaning in them and that is useful to me, does that make my position more authentic?  Can I make up a satisfying story about the family in the cabin and then say, “I know it’s not ‘true’, but I like to tell myself this story to calm my neuroses” and still be considered ‘sane’?  Do most of us do this anyway?  Does that make it ‘normal’ then?  I suppose I could give that up and face the fact that I won’t know every story.  Perhaps I would be far more sane to learn to live with ambiguity and uncertainty and meaninglessness.   What do you think?